#but when i saw the page and the panel talking about how the event would talk about how to get into the game industry

[ame-to-ame]

life is fine you just learn to not send the things you would've sent before in a heartbeat

[abstractfrog]

HI I JUST SAW YOUR INCREDIBLE SHERLOCK AND CO COMIC YOU MADE AND I WOULD LOVE FOR YOU TO TALK ABOUT THE PROCESS AND THE SYMBOLISM AND INTRICACIES AND EVERYTHING PLEASE ‼️‼️‼️‼️‼️‼️‼️

GOD THANK U ok if i actually talked about EVERYTHING i would be here forever and ever, there were things about the process where it kept surprising me and i kept adding stuff.

I talk about my general comic process here , it started out mostly the same for this one. Analysis of the script, sketches, panel and colour blocking

The scene from Mr Sherlock Holmes presented me with a unique challenge (for me) because...usually I pick scenes from the podcast that are instantly visually stimulating. This scene is NOT that. It's sort of unclear and confusing and even the emotive narrative is sort of hard to pick out. Those things I had to sort of decide for myself. It's hard to draw a whole scene like this without first deciding what the scene is about, what its purpose is. If you go back and listen to the episode along with the comic you'll notice all sorts of changes and tonal shifts - that's because of me and my decision making.

I decided that the direction I wanted to go in was to show John having his realization about himself, his podcast, and Sherlock, showing him getting pulled into, yes, Sherlock's world, but also the world of the podcast as an adaptation. I knew i could do this just with colour, but if you've seen my other comics, you know i almost always use colour to show shifts. I guess I had some insecurity about doing the same thing over and over again so I pushed myself to think of other ways I could accomplish it visual. Enter: rendering technique

I will say I didn't expect this effect to make John seem so SAD and MISERABLE, i only wanted to show him getting pulled in, but its effective for his emotions in this scene as well. Scanning drawings into the computer sort of flattens the paper texture, so I started adding photos of the pages of A Study in Scarlet to make him feel more paper-y. And then, of course, realised i could use that to further elaborate on John's inner thoughts, backgrounds, and motivations. People are welcome to interpreted that how they like and i've seen a number of variations, but to me it operates on sort of a meta level, showing the inevitability of what John is going through. He's a Watson, he's always going to follow Holmes, he's going to try and figure him out, and that's why you sort of see a back and forth between acd and pod Watson, highlighting the ways in which they are similar, and then, John breaks off and becomes his own character, still with those foundations but also entirely different.

there's one piece of text that i haven't seen anyone pick up on or mention and I'm starting to think it's gone unnoticed because it's in an unexpected spot. I won't mention what or where because it is, for now, a very indulgent little secret.

I notice a lot of people are getting a kick out of Sherlock playing with the speech bubbles, which I am so pleased by because I almost didn't do it! I thought i was maybe breaking something in the comic but it was so fun that i didn't care and I'm so glad it came across well. It operates on a lot of levels, it shows his thought process, it plays into that fourth-wall medium play i've got going on, and it feeds into the web metaphor as well as visually showing him roping John in.

on the topic of Sherlock, I feel a lot of people are rather focused on John, which is understandable (he's the main event) but Sherlock has a lot of details I love too.

For instance, him pushing his hair back and putting on a coat when the officer arrives, almost like he's shifted modes, and then his hair falling back down when he gets excited and John starts to understand.

I really love this moment of Sherlock seeing John's potential for interest in mysteries when he's trying to solve the matter of what Sherlock Does, and being surprised and flattered for a moment (until John messes it up again)

John copying Sherlock's pose <3

There's deliberate things in the character design as well, things like the fact that once John comes into colour, it reveals that he's actually wearing more colour than anyone else in the scene, and the fact that the grey in John's hair only appears post-greyscale. Things you are welcome to read into. And there are, of course, the socks, which I've seen people pick up on.

Those are the main things for now so i might leave it there, but thank you so much for your ask and i'd be pleased to elaborate further on absolutely anything!

[bibibbon]

MHA chapter 424 (rant)

This chapter was horrible. Look, if hori thought that this chapter could provide the fans with some relief he was wrong.

This is supposed to be the epilogue or the beginning of it and half of it is just useless BKDK. Honestly this was so stupid I feel like this chapter which was labeled the epilogue could of been used to wrap up a lot of character arcs and update us on events instead of us getting some little bkdk crying ending. In all honesty I still hate bakugo and think that their arc is Hella underdeveloped considering that Izuku never gets any intropsection going on and bks development is heavily flawed.

Still hate what the series did with Izuku. Izuku as a main character and a character in general is heavily underdeveloped so I understand why he is getting the hate that he is getting. However, izuku was also a victim in this and didn't get proper development at all, like him and shigs whole storyline was sidelined and they barely formed a relationship before or even during that fight at all. Izukus lack of intropsection is also one of the reasons why he is getting hate like it's low-key hori's fault for not giving us any development when it was right there. I also think I need to remind some people that izuku is only 16 and had all of this on top of his shoulders but I see the point that shig a victim should of been saved. However, it's not like izuku didn't try his best, like he tired all he could it's at the end of the day shig that didn't accept it until it was too late. Also, can we talk about how horrible hori did izukus design dam I miss his fluffy hair at the same time I get it. Also I hate that he still has some OFA embers and all like it makes no sense I thought they were gone with that one punch that was apparently so strong it CHANGED THE WEATHER?!?! Honestly, I hate that inko is nowhere in sight and that she allowed him to go back to ua like?!?!?!?

Shigaraki deserves better. Oh dam I just wish that someone would adopt shig and izu and give them a better ending cos this isn't it. Shigarakis storyline ending sucked in all honesty especially that retcon that stated that shig apparently knew that AFO was manipulating him?!?!?! Also am I the only one whose confused as to why shigs last words were directed towards spinner. As angry as Iam I was also expecting some horrible stuff like this to pop up considering that hori has consistently been trying to separate Tenko and shigaraki so this is what we get but just even worse.

So nothing on toga and ochako? No offense but I hated that this chapter was just centered around BKDK like where was toga? Or ochako? Why is it that we only get one small panel of ochako looking pensive and sad when last time we saw her she was on the verge of death and in CRITICAL condition. Also what about toga? Like we haven't seen her in a long time. Is she alive? Is she dead? In all honesty if she is alive and gets no concequences then I would call that bad writing.

What about the todoroki family ? Poor Todoroki last time we saw him his family fully surrounded touya forgetting about him. In all honesty he deserves so much more and my arguement stands. We should of gotten an update about the todoroki family as well. Iam not a fan of enji neither am I huge fan of the direction touya/Dabis character has taken but I would of enjoyed an update.

What about the others? Kurogiri, spinner and the rest!??!!?!?! Iam bais but dam it seems like this chapter has forgotten all about the other characters it put in critical or difficult situations and just chose to focus on some stuff that's so irrelevant. Like the small panels should of been reserved for spinner and kurogiri on characters that we should of seen updates on. While we should of gotten full pages on todoroki and ochako

Also it seems like the pacing is quite fast, too fast really. How is it that they're just going back to school like I thought people resided in UA and that some of it was heavily damaged during the war? What about the chaos and destruction that's all over Japan has that been rebuilt? Also how did parents allow their kids to go back to a school that made them glorified child soldiers?

It's a shame we don't get any focus on izuku nor do we see his mother's reaction. I mean we see and get more focus on bakugo than we do when it comes to izuku and it sucks horribly.

In conclusion, I heavily disliked this chapter and giving it the title of epilogue is horrible. I bet that this is like one of the last chapters we are getting.

[micia-posts-stuff]

Spoilers for Spy x Family chapter 96

(Part 2) Now let's talk about the dance and the thing.

Damian blushing hard is always funny and adorable, look at him! The poor boy doesn't know what to do with all these feelings! Also it's interesting that we get yet another instant of Anya shivering when she perceives his feelings towards her. We saw it happen first very early on, in the chapter where she had to apologize for punching him, and we saw it recently in chapter 88 when they were in Henderson's office. It's a recurring thing at this point, wich makes me think she'll understand what it is in the future, not any time soon, but for now she still perceives that something is there.

This is so cute, the boy is having a whole flashback to them holding hands (there is also the light novel but it's not included in the events of the manga sadly). He was so nervous of being so near her and holding hands, he wants to dance with her but he's also totally panicked, so precious!!!

Yesss goofy dancing!

THIS PANEL ALSO KILLED ME. I'm double dead!

Look at his expression!!!!! The little smile when he thinks of Anya's family! The yearning for something similar and the hint of sadness because he knows he can't have it. SOMEONE GIVE THIS KID A HUG. HE'S SO SAD. And the way he opens up to her! Like tell me they're not friends! Tell me he would say that to anyone! You can't! This closeness they have, even tho it's unconventional, it's so important to him. This is very similar to the scene after the bus hijacking. Anya has officially been established as someone he opens up to. Even though he still thinks Anya is after his family (and he's right), he also understand there is something different from other people. And even after he denies what he just said telling her "he totally wins because he learned from a pro" Anya understands he was being sincere before and that was just a way to cover up how he really feels. And it would have been sooo easy for Endo to just make her be angry at that comment, but he didn't and I'm so happy, because this moment is very important. Because it's an honest moment between them, where they really open up to each other, wich bring us to...

Listen. Being a Damianya shipper, I was obviously looking forward to this chapter. But no amount of hype could have prepared me for THIS. I'd never have imagined we would get one of THE reveals, but I'm totally here for it. First of all I KNEW IT WAS GONNA BE HIM YESSSS

Second the fact that happened not only during their dance BUT DURING THE CASQUÈ, chef kiss, straight out of of fanon, amazing, incredibile, show-stopping. (Also on a two pages panel!!!!!)

Third and most important, the fact that it happened. As people pointed out this doesn't help Anya's mission in the slightest, in fact it puts it in danger. Anya has tried to hide this secret from anyone. But NOW she tells HIM. This is not a high stake moment, a moment where she confesses out of necessity. No, she tells him now because she saw he was being honest with her, because he was showing her his feelings, because he really touched her. And she told HIM because she knows he would be able to understand her, because she saw through his facade. She has been starting to see how similar they are a while ago, but it was highlighted particularly during the bus hijacking. Not only, as underlined in the quiz, they both love their fathers and are doing everything to impress them and for them to love them, but she also can relate to his loneliness, because of her life before the Forger family. When he said "your family...sounds nice" She saw in him the same thing she felt back then. That's why she decided to tell him, because she knows he won't reject her, like she's afraid other people would. And in these months she was also able to see his true self underneath the facade and yes they always end up fighting, but she is clever enough to recognize his sincerity when it really matters. She has learned to know him and decided to trust him with her biggest secret.

And Damian obviously doesn't believe her ahah. I mean I don't think anyone was expecting otherwise, it's only logical. BUT a couple of things. First of all the first expression he made, he maybe didn't believed her after thinking it over, but for a moment the thought was there, the suspicion has definitely been planted in his head. Second, this wasn't just a slip-up by Anya, it may have come out naturally in the moment, but she definitely ment to tell him. If it was a slip-up she could have easily played along with Damian and say something like "yeah I was joking, it was a line from my cartoons" But no she doubled down! She got angry that he didn't believed her and called her dummy, she definitely wants him to know! This is important because from now on she can act with the notion that she told Damian. Like if she needs him to know that someone thought about something, she can tell him! Even if he doesn't believe it, she told him already so it's just a matter of having him trust her. I don't know if she'll try to convince him or if something will come up later where they'll need to work together using her mind reading abilities, but I hope he'll believe her sooner rather than later because it would be so interesting! Imagine all the shenanigans they can go through together if he knows of her mind reading abilities! Imagine the struggle of hiding his crush once Damian finally admits his feelings to himself! It would be such a cool dynamic! I do understand Spy x family has the tendency to always return to the status quo and that's fine, it's a slow burn, but now something major has ctually happened! It would be kinda lame for this massive thing to change nothing about the story and be swept under the rug. Like it's fine if some little moments don't change things too much but this is THE MIND POWERS REVEAL! It needs to have an impact.

Now I'm really interested in seeing their povs. I want to see if Anya will regret telling him, since she was so worried that people might discover her powers. Maybe this could finally lead into Anya's backstory. And I really really want Damian's pov, because as soon as we see him seriously thinking about it he will have to realize it's true. He already had his suspicions and there are not many other explanations about the knowledge Anya has. Plus if he doesn't realize it now based on the past, he'll have to realize it in the future when Anya relies a bit too much on her powers, wich is something that happens fairly often. Like if something like old maid happens again, there's no way he won't think about what she told him.

And last but not least

Endo usually uses these little boxes to show us the actual progress of the mission. He has put friendship to ??? before, so he could have left it ambiguous if he wanted to, but he didn't. He confirmed this was an important progress in their friendship, despite Damian not believing her and them arguing at the end. Wich makes me a bit more hopeful that something will come from this.

[racinginchid3nt]

I’d Probably Still Adore You | Eight

Y/N x Lance Stroll, Y/N x Lando Norris, Y/N Best Friend x Pierre

Gasly

In which a night at the club and a game of never have I ever turns into something new

Inspired by 505 - Arctic Monkeys

Warnings: some smut, mostly in discussion/description. 18+

Previous | Next

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You spent the rest of Wednesday night relaxing in your hotel room. Starting to unpack and hanging your dress up for the event, your phone chimed.

When you checked it, it was Lando, replying to the text he had sent himself.

Smiling to yourself, you weren’t sure how you ended up with a date to tomorrow nights event but you figured if it had to be anyone at least he wasn’t a stranger. Besides Y/N Best Friend would be with Pierre, so you would have someone to talk to besides her.

————————————————————————

Thursday

Thursday morning went by quickly. You had opted to not attend media day. Pierre wasn’t on a panel and instead had individual interviews and team video shoots so there was no need to watch them.

You also took a few work calls, responding to some emails that came in throughout the day. While you had taken the day off, your boss only agreed if you were willing to participate in the two morning meetings. By midday, you were finally free to relax.

Stepping out of you room, you pushed the down button for the elevator. You’d skipped breakfast due to the time change but we’re starving and needed to pick up lunch.

As the doors opened, you saw a familiar face in the elevator.

“Hola Y/N. No sabiá que estabas aquí.” (I didn’t know you were here)

“Hola Carlos. It was kind of a last minute thing.”

“We’ll it’s great to see you. Are you going to the sponsor event tonight?”

“I am. Lando’s picking me up at 7:30.”

“Oh. That makes sense.” He laughingly replied.

Unsure of what he meant, you gave him a confused look.

“Lando told Oscar and I that he had a date last night. We wondered what poor soul he convinced and why he was so happy, but it makes sense that it would be you.”

“Oh uh yeah. We ran into each other last night and he asked.”

“Well I’ll see you tonight.” He replied, before stepping out of the elevator.

He made his way to the front desk, while you continued to the front doors. As you stepped outside you were greeted by a large crowd behind a barrier. Someone must have leaked the drivers hotel. As you pushed through the crowd to try and get to the small bistro you had seen on the way in last night, you were surprised to hear someone scream your name.

“Y/N! Can I get a picture?”

Unsure of what to do or why someone would want a picture with you, you turned and saw a fan in a Ferrari shirt waving at you. Confused you walked up and took a quick selfie. Was this because of that wag post a few weeks ago? You noticed a few other people taking photos of you as you chatted with the girl about the race weekend, before wrapping up and continuing on.

You placed your order to go from the bistro, heading back to the hotel to eat in your room and relax before you needed to get ready. As you sat down to eat and scroll through your phone, you got an Instagram notification that you were tagged in a photo.

Opening the app you saw that you had once again made the wag Instagram. It wasn’t your best picture, makeup free and hair undone, but you hadn’t expected anyone to care about you.

Is this what it’s always like for Y/N Best Friend you thought? You couldn’t escape the stupid wag pages and you weren’t even seeing anyone.

————

Lance sat in the car on the way back to the hotel from media day. The break had been nice, but he was ready to be back behind the wheel. Zandvort wasn’t his favorite track, but it certainly wasn’t his least favorite either.

As he sat in backseat of the car, driving the 30km or so back to the hotel, he thought back to the night before. When he arrived at the hotel from the airport, he had seen Y/N. After their hookup before the break, he had expected that to be the end of their interactions. He’d never seen her at a race before that week, so he figured he wouldn’t any time soon.

But to see her getting out of the car with Norris was a shock. While he hadn’t reached out to her after the hookup, she also hadn’t reached out to him. The last thing he expected though was for her to be dating someone already. It had to be serious if they had arrived together, but with less than a month for the break, he questioned how quickly that happened.

He had spent the next week replaying the night over in his mind. And every time a girl flirted with him on break, he couldn’t help but compare her to Y/N. Had she really thought so little of the night that she could move on immediately? During their game at the after party she had said she’d never slept with a driver. Sure Norris has mean’t the question about Pierre when he asked it, but that also mean’t she hadn’t slept with Lando either.

He knew first hand that there was a lot more to hookups besides sex. Just because she hadn’t fucked him didn’t mean she couldn’t have kissed him. Or sucked his dick. And as the thought of her getting on her knees for Norris crossed his mind, the tiniest hint of jealousy bleed through. He had missed out of the chance of that. Missed out on watching those big brown eyes look up at him while he fucked into her mouth. Missed out on watching her swallow down his cum.

He didn’t know much about Norris, but he seemed to have some charm. Lance had seen him leave the club with his fair share of women. What if he had the chance to eat her out? That thought sat even worse. He didn’t like the idea of someone else, much less another driver getting to see her like that. Recalling the look of her glazed over eyes when he tucked her in on the couch, he didn’t like the idea that he wasn’t the only one who had seen her like that.

He wasn’t typically a possessive man, but he also didn’t typically interact much with his occasional flings after the fact. He’d been single for awhile, hooking up here or there as he felt like it, girls aware of the situation, that it would be a one time thing. But for someone else to have made a move on what he viewed to have been his first didn’t sit right with him at all. He knew better then to confront either of them, he had no rights. But why was he upset about that?

Opening up Instagram for the first time in a week, he navigated to her profile. She had posted twice during the break, one a casual photo of her and some friends at dinner, the other a photo of her laying out at the beach. He tried to think back to where Norris had said he was spending the break. He said he was going somewhere warm, and he vaguely recalled an Instagram story of him on a jet ski. Had she gone with him?

Flipping through her story she had only two posts up. One of a photo outside the plane window, showing the dark runway at the Amsterdam airport, and one of what he presumed was her lunch from earlier. Neither of those were helpful in the slightest. He’d already started to edge towards creeper territory, so he might as well take it further.

Navigating to her tagged photos, he saw a new one from earlier that day. It showed a zoomed in photo of her on her phone, hair up in one of those messy clips and in a casual outfit, she seemed to be walking down the street. Reading the caption, it confirmed what he already knew. She was staying at the same hotel as all of the drivers.

Esteban had complained earlier to him that his room was next to Pierre and his girlfriend. Apparently the two had been going at it 24/7 for the past few days. Which meant that she hadn’t flown in with them and wasn’t staying with them. So who was she staying with? He didn’t know what she did for work but highly doubted she had forked over the money for overpriced luxury hotel.

Pulling up to the hotel, he exited the car. Tucking his phone back into his pocket, he thought about the upcoming sponsor event. He’d have to stop by for at least a few hours to socialize. It wasn’t really Fernando’s thing and someone had to represent the team well. At least they would serve dinner he thought to himself, the food was normally good at these things. As he headed up to his room, he ran through the rest of his weekend, analyzing what his engineer had told him earlier, all thoughts of Y/N leaving his head.

————————————————————————

A/N:

I really appreciate the support I’ve gotten on this story so far. If you guys could continue to like, comment, and reblog I would really appreciate it!

[mirkwoodmunson]

can i request something inspired by where’s my love - syml? maybe bubbly reader developed something traumatic after the s4 events and just blocked everyone in her life and eddie’s worry sick that they might never be themselves again and starts helping them and all that hurt/comfort cutie patootie. luv your work!! 😭💛

oughoughhh i love this idea, thank you for the ask and kind words!!

(i’m so sorry it’s been well over a month anon thank you for being patient with me 🥲🫶🫶)

this one jumps around a bit but hopefully it’s concise 🥲

contains: cursing, use of she/her pronouns

page divider from @animatedglittergraphics-n-more

“Can’t you just… fuck, I don’t know… can’t you talk to her, Wheeler? I just…” Eddie takes a deep breath and breathes it out slow away from the receiver, closing his eyes and massaging the bridge of his nose with his free hand, tucking himself into the paneled wall of Wayne’s trailer. “I feel like — like she’s not here, even when she’s right next to me… like she’s a ghost.”

There’s a pause on the other end as Nancy listens, choosing her words carefully.

“Eddie… if you can’t get through to her, I don’t know that I would do any better. I’m sorry, but, you just — you have to give her time. We all just need, time. Think about what she saw in there. All of us nearly died. But… she saw you— ... I know you don’t remember it all, but she does.”

Eddie pinches his nose harder and grimaces, shaking his head a little. “…fuck…”

Nancy sighs softly, “yeah…”

The first time Eddie becomes aware of your existence, he hears you before he sees you. From behind him, parked atop the picnic table hidden in the woods — his secret spot — he hears a delicate chime of bells; a soft giggle hidden behind shy hands. He turns quickly to spot the intruder, and when he sees you, he finds himself softening when he didn’t even realize how tense he was.

“I-I’m so sorry!” you call to him, lowering your hand to bask him in the shine of your smile, twiddling your fingers nervously together in front of your chest. “I didn’t know anyone would be here, I—“

“No no,” Eddie finds himself saying, turning more to you and raising a placating hand, waving away your apologies. “No ‘sorries,’ it’s all good. I’m just, uhh…”

“Hiding?” You finish for him with another gentle shimmer of a giggle. “Me, too.”

“Now who would you be hiding from?” There’s a lilt of playful tease in his voice. He himself was waiting for the parking lot to clear out after school, avoiding Jason and his goons and the general chaos of people wanting to book it home.

You roll eyes in exasperation, heaving your shoulders, “ugh, just… everyone. First day’s always the worst.”

“Everyone, excluding the freak?” Again there’s the gentle teasing, he says it softly like he’s worried you’ll suddenly realize who you’re talking to. Instead you raise a brow and peer around.

“ ‘The freak’?”

He smiles crookedly and opens his arms as if to say ‘you’re lookin’ at him.’

You smile softly and giggle again, disbelieving as you shake your head, moving in closer, “you don’t seem like a freak to me.”

You’d taken to spending the majority of your time at the Munson’s; it was hard to be in your own home where no one understood. No one knew why you hardly spoke anymore, why you would start to cry unprovoked, why all you wanted to do was lie curled up in bed and yet refuse to let yourself fall asleep — headphones resting tight over your ears as your music played much too loud.

You felt guilty having Eddie care for you, but aside from your family not understanding, he did. He understood, and insisted upon having you stay with him and Wayne. It made him anxious to be away from you, worrying about your state of mind and the coping habits you’d developed that weren’t all that healthy. He worried intensely about that darkness that had taken over you.

While he recovered in the hospital, you were there every single day, and when he finished his healing at home you were there, too. Once he was better enough to move around, he was determined to pay back the attention you had devoted to him. He wanted to be there while you cried, while you were quiet, let you cling to him as you shivered. He figured eventually it would pass, as it had for him — soon you’d be better and you’d laugh together again. But the darkness proved heavy and insistent. Just as you clung to him, the darkness clung to you.

Today was rainy and gloomy; days like today only intensified your struggle, and you sought shelter in Eddie’s embrace. Even in his arms, though, even with his face tucked into your cheek and his gentle voice cooing to you that it was okay — the gloom within you was so bleak, you cried so hard into his shoulder you nearly screamed, your mind plagued with images you wish you could burn away with the hottest fire. Even while he held you you feared that looking up it would be another trick of the mind, another dream where his mouth oozed blood and his eyes were devoid of his spark. And so you just hid into him and cried, shuddering and hiccuping with every short, shallow breath.

“It’s okay… hey it’s okay… just breathe, sweetheart, breathe with me… I’ve got you… you’re okay… you gotta breathe, baby… I got you… you’re okay…”

“PLEASE JUST BREATHE! Breathe, Eds, god-DAMMIT! PLEASE PLEASE — you’re okay you’re okay you’re okay — EDDIE PLEASE!!”

You can’t see past the tears, past the flashes of red, but you’re hitting him, hitting his chest, urging the air into him as you wail and then break to shake him hard, screaming into his face.

And then he gasps…

Sometimes your silence scares him more than the tears. Sometimes one minute you’ll be inconsolable, and the next it’s like something in you has switched off, you’re awake but — you’re gone. Retreated to somewhere deep inside.

Your face is damp but slack, eyes open but not perceiving, not fixed, lids heavy; you’re looking past everything into a blackness no one else can see. Your tense muscles suddenly going lax and limp to the point you’re just slouched into Eddie, so motionless you could be comatose. When this first happened he panicked, but now he just sighs softly and tips your head back to check you over, gently patting your face dry and brushing hair away from your face, pressing light and concerned kisses to your forehead and cheeks and murmuring to you, hoping you still hear him. Carefully he helps you to your feet, holds you against him as he guides you to his room; you can move but your feet are almost too heavy, dragging against the floor.

Once in the cozy confines of his room, Eddie gently and very carefully helps you to lie down on his bed, placing a pillow under your head and between your knees, another against your chest before he maneuvers your arms to wrap around it. Your fingers flex gently, eyes still unfixed but you squeeze the material and pull it further against you.

All he can do for a few minutes is just sit at the edge of the bed and rest his face in his hands, keeping his breath even and calm — the sound of your cries still rings in his ears and just the thought of it makes him want to cry, too. But he also wants to stay strong for you; needs to stay strong for you. However long it took, Eddie wanted to see you through this storm. As dark as it got, Eddie knew he would see you come home to him again.

Looking to the corner of the room, he lays eyes on his acoustic guitar, proud in its stand.

This machine slays dragons.

He stands and moves to it, brings it with him as he sits on the floor leaning back against the bed. He hears you breathe softly behind him and closes his eyes, plucking with bare fingers and a tight throat that allows no more than a hummed melody; anything more and he’d break. He needed to be strong for you. He needed to see you come home.

The picnic table had become a hideout for you just as had been for Eddie, a space you’d come to share with the boy (much to his happiness) when the days proved overwhelming — and most of them were. But you also looked forward to see him waiting there for you. As soon as you spotted each other you’d both grin and blush, hiding the unspoken feeling you unknowingly shared for each other; a deeply-rooted affection that only grew stronger with each meeting.

You’d split lunches from home, Eddie would rattle on about the D&D campaigns he was working on while you smiled wide and listened intently. Some days were worse than others, for either of you, however. Sometimes you’d find Eddie slouched into himself and tired, and you’d let him vent about Jason or teachers or whatever was bothering him. But as long as he could see you smile, he knew things would be alright. If you could smile for him, it meant the sun was right beside him.

Sometimes you’d find there Eddie with a guitar propped in his lap, after he’d been missing from school all day. Not up to being around them, but dying to be around you no matter how heavy the fog in his mind was.

The first time you’d found him with his guitar he didn’t speak at all as you approached, just smiled half-heartedly and patted the spot next to him for you to join. Together you’d sat in quiet for a while, as he absently plucked at strings, not wanting to speak but just needing some kind of gentle noise.

After a time, you asked him, “do you take requests?”

And Eddie smiled and looked at you past his hanging, curly hair, “whatever you wanna hear, sweetheart. Anything for you.”

As he strums lightly now, sat on the floor, he feels gentle fingers comb into his hair from behind him, softly caressing his scalp. Eddie smiles wide and continues to play.

“…are you really here..?” Your voice is so quiet it’s just barely audible.

Eddie sets the guitar down, resting it against his nightstand, and turns, reaching up to take your hand, finding your other as well. He squeezes them gently and presses his lips to them, puffing soft breath against them and then kissing them sweetly, nuzzling into your knuckles as he nods.

“I’m here. I’m really here. Promise.”

He looks up to find your eyes, shimmering with tears over the edge of the pillow still tucked against your chest. You’re there, all there, present and seeing him.

“It’s gonna be okay. You’re gonna be okay.”

You close your eyes, pushing out heavy droplets.

It’s quiet for a while as Eddie just continues to hold your hands, watching you carefully. Eventually you nudge your chin up and tuck it over the pillow, and Eddie’s smile is brilliant in the presence of your own — small but it’s there.

“…do you take requests..?”

Eddie chuckles and sits up further on his knees, leaning in to kiss you, lingering against your lips and aligning his nose with yours, nudging into you with deep affection.

“Whatever you wanna hear, sweetheart. Anything for you.”

[suckishima]

man i love this sequence so much—and tbh their dynamic in general which i feel like we don't talk about enough

on paper they seem like such opposites—and they kind of are—with tanaka being a mood maker and morale stabilizer for the team, he's loud and boisterous and never holds back what he's feeling ("dial down my feelings?? what does that even mean??"), while tsukki barely speaks on the court, openly admits to disliking loud and excitable people, and seems to calculatedly hide his emotions away. you would think they wouldn't like each other and wouldn't work well together, but i think every interaction we see between them is a positive one

we see them kinda partner up to roast other teams or their own teammates, but also tanaka is one of the few senpai that tsukki seems comfortable openly making fun of directly. but then tanaka doesn't even ever seem mad by tsukki's taunts—occasionally he'll even pass judgement on how successful tsukki was with his comebacks. and tanaka will just throw a jab back easily, which tsukki doesn't really seem bothered by either—tanaka never gets under tsukki's skin the way kageyama does, for example

and then we get a great little sequence like this one that's deliberately pointing out their differences and then using them to emphasize something more, and it's just so effective??

what tanaka goes through in the first set of the inarizaki match of feeling like he's not doing enough and having it shoved in his face that he'll never be the best, is like a speedrun version of what tsukki has been going through since he was in middle school when he found out his brother was lying about being the ace. there are these little subtle callbacks too—with the dichotomy of being lame vs cool (yamaguchi calling tsukki lame for not trying and tsukki thinking yamaguchi is cool for saying so), and furudate even uses the same visual metaphor of a never-ending staircase

it took tsukki years to realize he might be looking at things in a destructive way, and then months more after that until he actually saw the merit of trying—and then even here we can see that he doesn't find any of this easy. and tanaka basically does all of that in thirty minutes or so.

and while tsukki seems perturbed by this, he isn't mad at all. you can feel the respect tsukki is veiling behind his words in the first panel of the page when he calls him "ridiculously mentally tough." it's "frightening" to him because it's something that doesn't come naturally to him personally, when it obviously does for tanaka

of course it's important to note that the situations are completely different in terms of the catalyst for those feelings, tanaka didn't have some world-shattering event he's been struggling with since he was a pre-teen (that we know of). he just had an off day. but what i like is that the emphasis here isn't really about the circumstances, it's about their attitudes, how they each react to feeling down about themselves

and i just love the way furudate put this page in here. we just had this awesome sequence of tanaka scoring a well earned set point by doing a move he's been practicing for months after he spent all match feeling inadequate—sounds a lot like tsukishima winning set 2 vs shiratorizawa with a stuff block that was preceded by months of extra practices from him, but the reader (rightfully) isn't thinking about tsukki at all. until furudate gives us this conversation and we're reminded (not specifically or directly of tsukki's moment but) that this feeling is something other players, other people go through too. like, furudate didn't have to put this page in here, the chapter and tanaka's moment would have been just as epic without it, but i feel like it just adds this extra little emotional grounding to it

it just, it feels so human. getting down, being hard on yourself, feeling or even knowing you'll never be the best, everyone can relate—it's a storyline we've seen in haikyuu before but furudate always manages to make it feel not only fresh but satisfying because of how they present it to us with a new lens every time. tanaka and tsukki are so opposing in their character and actions that it makes their moments feel different and new, so it's just as cathartic for the reader every time, even though the underlying message is the same

whether it's hard or not, it's always cooler to try

[showtoonzfan]

You see, they’re both perfect for eachother, because they both suck at communication skills! 🥰 (spoilers for the new TGS page!)

In all seriousness, I had to talk about the new TGS page, because I love it. It’s here that we learn that Jekyll is an unreliable narrator, which is something we all could have picked up awhile back. Jekyll sucks at communication, he hides himself and his deepest fears, but sometimes we see certain scenarios that broke us a little differently than how someone ELSE might have saw it. Awhile back, during Chapter 11, Jekyll opened up to another character (Jasper) about what went down between him and Lanyon in college. We learned that while he was fully aware Lanyon wasn’t interested in an actual relationship and was legit a whore who jumped from one man to the next, he was still torn up once they broke the sexual affair, since Lanyon had to get married. From that chapter, the flashback showcases how Jekyll saw the event:

What I like about this is that Lanyon is clearly uneasy in one panel, but once he turns around, he’s smiling, and we now know why. He’s smiling because Jekyll assumed that by how Lanyon has acted towards this quarrel, he just simply didn’t care, and it makes sense, since Lanyon’s whole character is that he keeps this sassy, uncaring attitude towards most people, and it doesn’t help that Lanyon moments ago this page shot back at Jekyll when he asked him why he’s so afraid of his father. Obliviously this page is paralleling the new page at the top, because we’re FINALLY getting Lanyon’s perspective a little.

And now that we’re on this new page, we see how once again….Jekyll is a poor idiot. He automatically assumes that Lanyon knew EXACTLY how he felt, despite never showing it, or giving the other ANY indication that he was upset. Another thing we see in Chapter 11 is that after they broke the affair, Jekyll kept his smile on, but became miserable internally. He remained friends with Laynon of course, but through all of this we just further see how flawed Jekyll is because of what he went through. Personally from everything we’ve seen, I definitely think Jekyll sees Laynon as cruel and dense, and don’t get me wrong, Lanyon isn’t 100% in the right either, they’re both messed up because they both lack communication and showing the other their deepest sides, but like I said, I love how you can clearly tell that despite how much Jekyll CARES about Lanyon, he still holds resentment towards the other man, and I’m honestly waiting for him to just snap in green eyed Jekyll form.

In other news, I just love how realistic their bickering sounds in the newest page. The way they’re arguing over how the situation went down, how the other felt because they can’t communicate or grapple their own personal trauma’s worth shit. I’m also glad to see how Lanyon felt about this situation. We sort of spent a really long time assuming he didn’t care at all because of his commitment issues, but we finally see that he was just as distraught as Jekyll was, and honestly? That also makes sense to me. This would be a different story if Lanyon just screwed Jekyll and left him in the dust, but he didn’t. Jekyll and Lanyon weren’t just fuck buddies, they were close friends, and Lanyon CONTINUED to stick with the other as they opened the society for Arcane Science, even though Lanyon had no passion with science in the first place. We all know Lanyon cares about Jekyll, and Jekyll’s KNOWS that, he’s just so grappled in all the pain he went through during that time that he can’t put himself in Lanyon’s shoes, or even fully confess his love for him, and it’s such a sad thing to watch because I love Jekyll and root for him at the same time. We have yet to see the rest of Lanyon’s perspective, but for now these two are so caught up in their messy gay quarrel that this might end in disaster, especially since Hyde as of now is still inside Jekyll and trying to find a way to get out. I just love this relationship so much however, I think it’s the perfect example of a messy gay relationship and what can happen when you don’t show yourself, your true self. The two care about each other but can’t communicate, they have so many issues that need to be worked out especially with how in denial they are, and the time period plays a huge part in that. They need to be able to feel comfortable with their own feelings and in their own shoes, but I’m waiting for them to finally reconcile since it’s been 84 years. I just can’t wait to see what happens next!

[blackstarchanx3new]

FSR rambles PT 4

Over explaining the decisions in my own comic once again. UwU

Smth fun about these pages is ZELDA. My lady.

Something I'm not sure was how well this portrayed that this was shortly after they put the sword back (like maybe a year at most?)

I kind of like to think for FSR at least, they were all around 13-15 during the events of the manga (This isn't my opinion tbh, though in the bonus pages they buy child tickets for the theme park so they aren't canonically adults.)

Link's old enough to drink in FSR so he's at least 21.

(I've never really liked the idea they're YOUNG kids during FS it just lends itself better to FSR specifically. I really write them however old I want for whatever scenario I'm writing because Link's as fluid as a Vocaloid when it comes to making fan works and cannon is my bitch. Writing them as adults during the events of the manga usually lends itself to MORE writing opportunities but not for FSR. I don't really give a shit what other people decide to do when making fan works either.)

You'd also notice the 7 years it takes FS Link to pull the sword is a reference to the seven years Link misses during OOT.

Anyways onto the page itself: Zelda's a sweet girl who cares deeply about her childhood friend. Link means a lot to her and she makes time for him. He waits for her too. Zelink shippers I got you lol.

Something I always found WEIRD was how Link doesn't talk in the pages after he reformed. That's so odd to me. The fan "theory" It's basically cannon in BOTW/TOTK at least Link's selectively mute. That Link's mute is also something I took inspiration for FSR Link.

So Link doesn't respond to Zelda verbally but she still makes the effort to talk to him.

Shadow Link is very disapointed he can't get hugged by the princess. Because as he stated earlier in the comic he loves her. Zelda addressed him too so she tries to include him.

This page shows off just how gradual the curse was: So funny enough at the START of the comic it was actually going to be explained how Link utterly deteriorated but I decided to add that later. (Wanted to get to funny shenanigans with the boys so I put it off)

It started with him just hearing whispers, then full voices then the what I call "Headspace" fully appeared.

Blue mentions liking Zelda's hugs Haha "Where's my hug???"

Vio just says Zelda's name, Vio's relationship with Zelda is something I'd love to expand upon later down the line.

Green's more focused on food oof.

Red's just happy to see Zelda.

Green was right about being hungry, so Zelda invites him over for DINNER-

Shadow Link's still just vibing.

Zelda lifting Link up in this panel just shows she's there for him.

Link is just dealing with the fact he can hear them by himself. Also dad is still alive.

Lol he's actually making his dad proud which was something he didn't do often before the OG book.

Zelda hanging out with Link and his father kind of shows them as a family.

Shadow Laughing in the bg but he's away from the rest.

So the captain died in a fight, and Link blames himself for it because he can't think straight when there's 4 people constantly talking.

Daddy's demise was really the start of the snowballing downhill for him.

Lol. So Vio's daddy issues are apparent for the SECOND time in the comic. He was uncomfortable even bringing up Link's dad before and this is partially the reason why:

Vio's the only one not crying or overtly emotional about their dad dying.

But something to consider is if he's truly talking to Link or himself in that panel. Because the man is still SHOOK. We have the liberty of SEEING Vio here, but Link doesn't.

So he takes this statement very poorly because:

Well, Vio's seeming "no shits given" attitude is unsettling enough coming from an outside source but that IS apart of Link.

A part of him, seemingly doesn't care his own father kicked the bucket and that's scary to him.

I think anybody would have lost it at this point.

Too bad Zelda saw Link screaming his lungs out at his father's grave lmao. Poor man.

Bro can't do anything but plead for Zelda to help him at this point. She's really the only person he feels he can turn too anyway.

Our girl comes in clutch with them hugs.

This was the conformation Link was actually not speaking in the comic Felt like I had to outright state it cause I wasn't sure if people would notice it otherwise.

Something I REALLY wish was a thing in Zelda manga:

Zelda and Link BOTH lose their parents. Usually their mothers.

And we never get any sort of bonding over that. And I find that a complete waste of potential.

I'd like to dive further into that with FSR or some other Zelda work I do because: HOLY SHIT THEY COULD BOND OVER THEIR LOST PARENTS????

Also Zelda's unfortunate phrasing here with "You can talk to me" she means just, that he can confide in her in general lol.

He's still struggling to actually speak. Poor guy.

While keeping him from doing knight duties kept him PHYSICALLY safe it was just another thing he lost to the curse Vaati laid on him.

So the obvious: Zelda had to watch the person she cares about most completely fall apart before her eyes and she couldn't do shit.

They weren't even aware this WAS A CURSE from Vaati mind you. They were completely in the dark trying to solve this.

Something horrific about this situation you might have also considered:

Not only did Zelda have to watch Link deteriorate but so did Shadow Link.

Shadow Link couldn't even offer much comfort. Zelda could offer physical comfort and attempt emotional comfort but Shadow was completely fucked.

And with the new context of "Link was mostly mute" the fact he wasn't actively TALKING to Shadow Link makes a lot more sense.

Still didn't make that fact any less painful in the moment.

Shadow literally could not participate, was isolated and lonely and had to watch someone else slowly get isolated and lonely and couldn't even help.

Link and Shadow Link literally felt the same way and could not help each other even though they were right next to each other all that time.

Also with the new context of what Link was going through, Shadow's persistence to be there for Vio starts to make a whole lot more sense: He can actually DO something now.

Vio's just stating the obvious at this point and his broken record nature really pissed Link off.

I'm sure you noticed what he wore color wise matched his emotions lol.

Vio technically is 100% right: They think Gannon is in the sword. It would literally be INSANE to pull it knowing that.

But Link's kinda at the point of not giving a shit.

Zelda would get hurt no matter what his "solution" to the problem ended up being.

Shadow Link trying to cheer Link up by reminding him he's there is so sad. Mghhhh

And for the first time in the flashback we actually have Link fully acknowledge Shadow Link's presence.

Vio was outright in denial the man was still alive and didn't want to acknowledge his existence so Link fully embracing Shadow Link here was a big moment between the two of them.

Shadow Link started to figure out what the man was planning but couldn't do squat about it. (He also couldn't communicate with the 4 or HEAR THEM.)

Link shows up in the head space! :D

His words imply he wasn't SURE he could properly communicate with Green like this alone...Which is no surprise considering Vio thinks how odd it is they were able to do that in the first place.

I kinda scrambled to think of what to have him look like hah. Ended up with him wearing white. Since white is the lack of color, white reflects all wavelengths of light so it literally kinda REJECTS color. (Apposed to Black which absorbs light, which funny enough his pants are black...)

And it symbolizes rebirth, peace stuff like that.

It can also symbolize death but we're ignoring that one lmao.

His nails are all the colors + Shadow Link too.

Lmfao when you gaslight yourself.

Okay in all seriousness the Link lays down just how DIRE the situation is since the other 3 don't seem to be quite aware.

And the "Promise" Green made to Link is what had Green so shook at the start of the comic for.

And the weight of the line "Can I trust you?" really sinks in as we'll see.

Link's kinda spooky haha. You can tell he wasn't sure Green was going to help him but that's quickly overtaken by how overjoyed he is Green is for sure on board.

One of my favorite panels from this batch is how happy he is. He's so relived he can finally just rest.

Green can't though. The crushing weight of keeping everything "Okay" is a heavy burden to bare and Dark Link spits those words right back into Green's face, and just holds him.

Green doesn't seem to hate the hug as much as Vio did hah.

Green doesn't even seem to acknowledge his presence while Vio not only NOTICED but was actively terrified of him to the point of trying to grab his sword.

He also mocked Vio more throwing Vio's own words back in his face, but just repeats what Link said to Green.

How. Odd.

And that's all for this batch. Hope ya come back to read my rumbly thoughts about my own comic.

[scruffyplayssonic]

Are the ArchieSonic comics actually an 80's/90's syndicated cartoon? Episode 40: The one episode that's unique to the show's premise and characters (part 4: Spark of Life)

Welcome back to my look at the ArchieSonic comic series, and how it shared a lot of the same story tropes as a typical ‘80s or ‘90s syndicated cartoon. Today I have one last story arc I want to look at for the “episode that’s unique to the show’s premise or characters,” category. It’s the fan-favourite story arc Spark of Life, published in Sonic Universe #71 - 74!

Taking place during the Shattered World crisis adapting Sonic Unleashed post-reboot, Spark of Life saw Sally, Nicole, Tails and Big travel to Isolated Island (from Knuckles’ Chaotix) to answer a digital distress call from Nicole’s creator, Dr Ellidy. Venturing into the digital world, Nicole discovered Dr. Ellidy was being threatened by a rogue A.I. that was interfering with the reprogrammed badniks Ellidy had turned into his housekeepers, and which also tried to get its hands on Ellidy himself when he digitised himself to investigate the problem in Cyberspace. Combined with the continuing threat of the Dark Gaia monsters appearing at night and a shocking revelation about Nicole’s origins, the Freedom Fighters had a lot on their plates for this story.

Spark of Life is one of only a handful of stories written by Aleah Baker (with Aleah writing the script based on her husband Ian Flynn’s plot). Aleah regularly contributed to ArchieSonic for years by doing character designs, colouring, and working on the letter pages’ gag strip, Off Panel, as well as writing a number of stories for the post-reboot era. As well as Spark of Life, this includes the stories Light in the Dark in Sonic #260 - 262, Consequences in Sonic #263, Hidden Costs in Sonic #277 - 279, The Case of the Pirate Princess in Sonic Universe #91 - 94, and Knuckles vs. Break Man in Sonic: Worlds Unite Battles #1. Aleah has unfortunately not been able to write for IDW Sonic yet due to poor health, although last year she did colour an absolutely gorgeous cover for issue #50. I’m sure that I speak for all of us when I wish her all the best and hope that she gets better..

So what makes Spark of Life so special? Well a lot of it has to do with Nicole, and the relationships she has in this arc. By the time of this story Nicole had come a long way from the talking handheld computer she was first introduced as, developing into a real person with feelings, hopes, and dreams. Nicole and her development as a character was a large part of the Iron Dominion arc and its aftermath, but that was partially lost after the comic was rebooted and the Freedom Fighters’ backstories were all rewritten to be similar to the old canon but different enough to be distinguishable. Nicole’s awakening as a sentient being is shown as a flashback in this story, and it’s very similar to how it was pre-reboot, with Nicole creating a hard-light holographic avatar for herself and stargazing with Sally.

But how she got to that point was the big difference, as this time she didn’t have wacky body-swap shenanigans with Sally. She also wasn’t sent back in time to be Sally’s friend by a future Rotor - instead she was given to a young Sally as a present by Dr Ellidy. But it’s only during the events of this story that we find out why Dr Ellidy created Nicole in the first place.

Nicole was actually a failed attempt at creating a digital existence for his daughter Nikki, who was dying of a chronic disease. The idea was that he would be able to preserve Nikki’s mind in the digital world, but all he was able to create before Nikki passed was an A.I. that seemed emotionless and did not have any sense of identity or personality. Heartbroken, Dr. Ellidy decided to leave Mobotropolis and retire to Isolated Island, leaving the AI (now named Nicole by King Nigel) with Sally as a gift. However Dr. Ellidy was apparently more successful than he realised, as over time Nicole developed into an actual person - going from JARVIS to Vision, if you like. Dr. Ellidy lived up to the name of his new home and stayed isolated from the rest of the world for the most part, although he would occasionally make contact with the Kingdom such as when he sent Sally the ring blades that had become a part of her new design post-reboot. But Dr Ellidy wasn’t aware of how much Nicole had grown over the years and so he was naturally shocked when she came to his rescue in the digital world, and harboured some resentment towards her because she reminded him of Nikki.

The other main relationship that was focused on in this story was that of Nicole and Sally, as this issue was the first step on the road for the two of them becoming a couple. More like Spark of Romance, amirite?

…

…anyway! It was subtle and sadly not able to be followed up on before the series was cancelled, but the seeds of the romance that was supposed to come were there. With Sally, we got to see that she cared about Nicole very deeply and was very upset by how Dr Ellidy was treating her as if she were not a real person.

And for Nicole we got to see some character growth for her, as she started out chastising Sally for putting herself at risk at the beginning of the story but later realised she would do the exact same thing for her.

Nicole totally had an, “Oh… she just like me. She just like me FR!” moment there!

Aside from Nicole and how the other characters relate to her, there’s a lot of other great stuff in this story. Another one of my favourite moments from all of ArchieSonic is this incredibly wholesome talk that Sally and Big had.

In this house we stan Big the Cat. I'd go to him if I needed someone to talk about girls with too!

We also were introduced to Phage, the afore-mentioned malicious AI making everyone’s lives difficult.

Phage was a very curious AI who was fascinated by what she did not understand, and had an interesting speech pattern which indicates she may have assimilated a thesaurus at some point. We didn’t find out her whole story at this time, but we did discover that she was created by Eggman and seemed to be looking for a way to get back in his good graces. After Nicole foiled her first attempt on Dr Ellidy, Phage took Nicole hostage instead and demanded that the Freedom Fighters bring her the red star ring and the chaos emerald hidden on the island. 

Speaking of, red star rings now became a thing!

While they had technically been introduced the previous year in the Sonic Super Special Magazine, that was only in a five page story of dubious canonicity adapting the mobile game Sonic Dash, and the red star rings hadn’t been seen again since. This story served as their proper introduction, with Dr Ellidy explaining that the island’s Lake of Rings had one day created this instead of the usual standard rings and that he had been researching the increased power it generated compared to them. It was later revealed that the reason the Lake of Rings had started producing red star rings was because a chaos emerald had landed in it.

The best (and most unexpected) thing about the red star rings though is that they granted Nicole a super form!

But if SEGA asks, it’s not a super form, okay? It’s an overclocked form. Totally different. ;)

Dr Ellidy later gave both of the red star rings he’d obtained to Nicole as an olive branch, showing that he did actually want to have an ongoing friendship with her despite how the painful way she reminded him of his lost daughter. It was a nice gesture.

And the last thing I’d like to talk about in Spark of Life is the location. It was really neat to see the Knuckles’ Chaotix game get a shoutout in this way. It’s one of the classic games that is often overlooked (it doesn’t help that unlike most of the classic era games it has never been ported to modern consoles), and considering how different the modern Chaotix are to their classic counterparts, it’s hard to say whether it’s even canon any more. So for a long-time Sonic nerd like myself, it was nice to see it get this kind of representation. We get to see some of the badniks from the game and also the sling-rings, which actually make sense to be in this story.

This is in contrast to the pre-reboot adaptation of Knuckles’ Chaotix where they just came out of nowhere. Dr Ellidy was explained to be a scientist who was researching ring technology and had actually created them (presumably Knuckles and the Chaotix came across them during the events of that game and used them to get around the island). Considering the sling-rings were Chekov’s gun-ed early in the story, it felt a lot more natural for Sally and Nicole to use them against Phage than the way the Chaotix adaptation just jammed them into the story without any setup. 

So those are my four choices for most unique story arcs of ArchieSonic: Mike Gallagher’s Mecha Madness, Karl Bollers’ Return to Angel Island, Ian Flynn’s Iron Dominion, and Aleah Baker’s Spark of Life. I’d also like to shout out a couple of other Ian Flynn stories I considered for this category, but that didn’t quite make the cut:

#1: Enerjak Reborn. Ian gets his hands on Ken Penders’ echidna mythos, and like Karl Bollers before him, puts his own spin on it. Also like Karl Bollers before him, he really pisses Ken Penders off in doing so. xD

#2: The Tails Adventure. A very unexpected adaptation of the Game Gear game of the same name, introducing the Battlebird Armada! Tails takes Antoine and Bunnie to Cocoa Island for their long overdue honeymoon and hijinks ensue.

#3: Scrambled. It’s the big showdown between Snively and Eggman! With interesting cameos from the Egg Bosses and Omega, the introduction of Orbot and Cubot, and the long awaited return of the Iron Queen!

#4: Champions. A Sonic the Fighters adaptation in the middle of a Sonic Unleashed adaptation! Reintroducing a bunch of characters from the Adventures of Sonic the Hedgehog cartoon! Only Ian Flynn would be so bold!

Well as much fun as it’s been writing for this topic, I’d be lying if I said I wasn’t relieved to be moving on to some shorter topics now. Hopefully this’ll mean there’s a shorter wait for you between posts too (but I am rather preoccupied trying to find a new home, so no promises).

Next time I’ll be looking at episode 41 of our theoretical 65 episode syndicated cartoon: “Recap the origin story in yet another clip show.” See you next time!

[introspectivememories]

For your mess is mine who are the people Bernard is close with? Is it people who were in the cult and are now out? Is it the groups of guys we saw in one panel? And what do they know more about than Tim?

okay first of all, thank you so much for the ask!!! i'm always sooo fucking excited to talk about these fics even if haven't written a sentence in like a month.

who are the people Bernard is close with? Is it people who were in the cult and are now out? Is it the groups of guys we saw in one panel?

in mess is mine, i just made up new friends for bear. we never really see him hang out with anybody and he is soooo isolated compared to tim. i didn't really like those 3 guys we saw in urban legends so i just... made up new ones! and bear deserves to have people who love him and take care of him.

so if you've been on my page for long enough, you know i have like a reoccurring oc?, i guess you could call it, called mori. he's in like everything i write, when i want someone connected to bear. alongside mori, there's khadija, chinna, and jam. but i'm still developing those characters.

after writing data analyst!bernard, i've been playing with the idea of putting jimmy and tyrone in there too. but i know my own strengths and putting that many characters means a lot of them are gonna get sidelined. (maybe i can put them in as a throwaway line? much to think about.)

i know that him being isolated is probably what made him so susceptible to the cult in the first place, but isn't there something so real about watching your friend slowly destroy themselves? isn't there something so tragic about being able to do nothing but pick up the pieces after each event? of wanting him to stop hurting himself but it seems like he doesn't know how to live unless he's hurting? mori, chinna, 'dija, and jam love bear, but it's not enough.

And what do they know more about than Tim?

everything. in urban legends, they've just started reconnecting. and i've taken that to mean that there was no contact after the shooting. so if we do the math, let's say they were both 16/17 during war games and i've always hc both of them as being around 21 when they meet up again, that's about 4-5 years that tim has missed. people change a lot in just 1 year! to miss around 5??? yeah tim barely knows this man anymore.

and yeah, bear still smiles the same and he still makes outlandish conspiracy theories but bear is so unfamiliar to tim these days. he might as well be a different person. and i think for tim, who is having all these new feelings at seeing bear again, would feel uncomfortable. where is his bear who laughed with his mouth open? where is his bear who didn't have scars on his arms and back? where is his bear who took up the whole room with his personality? tim doesn't know.

the story takes place in the hospital after the attempted sacrifice as tim deals with bear's friends, who are complete strangers to him, just knowing exactly what to do while he fumbles around. one of the scenes that i first wrote was tim sitting in the waiting area struggling to fill out the paperwork. and then bear's friends come in and do it effortlessly.

i hope this answers your questions!! i feel like i got so excited talking about this, it came out a little incoherent lol.

[measuringbliss]

Spider-Man Read-Through 022: The Master Plan of the Molten Man... and Dracula is also there (ASM 132-133, GSSM 1)

MASTERPOST

In this duo, we see an old friend... or two. And then, we meet a vampire. OoOoOh~!

I really enjoy the Molten Man's new design! Gorgeous cover.

It may be January in the Marvel-verse, but we're in May 74, publication-wise!

Liz is back! Hasn't been seen since issue 30, which explains why I keep mistaking Betty and her.

I don't know why, but I remembered this specific (and very ugly) maid. Poor lady.

Anyway, Raxton is hot, there I said it, we can get on.

When I first saw those panels, I thought it was exactly like how Romita would draw Liz... then I checked the credits again... and it's him! His soapy style is gorgeous as ever. Peter says she never got on with MJ, but given that MJ appeared for the first real time in #42... I don't know what he's on. The art of the retcon!

Ned, who's investigating the maid's intel on Raxton, almost dies as Raxton (actually the Molten Man) makes his room explode. I like that Ned (and the rest of the cast) are more involved! I miss them.

The Molten Man has apparently not been seen since #35, which checks out. It's the occasion for the artists to put gold, which is a shade we don't see so much.

Look, is this a safe space? Can I say what's on my mind?

The feet are really nice. I'm not particularly into feet (I know, TMI) but I'm really impressed by how it looks good. And the rest of Raxton's body is obviously quite well-done too. I'm not saying that Spider-Man comics made me gay, but they sure aren't beating the allegations.

Ned is very badly aged, but I like the damsel in distress look.

Raxton's radiation has a bad influence on Peter's metabolism, and he might very well die by the next issue...

Oh, who are we kidding?

In the readers' letters, it seems like Gwen's death has now mostly been forgiven, and someone is praising MJ--and she deserves it!

Even men want to see more of Peter! I'm afraid the situation isn't exactly adapted, however.

As a matter of fact, Spidey has already planned to party in a sauna with another man. Better luck next time!

(I love those smoke effects.)

Liz reveals that Raxton is her brother, which I completely forgot about.

We rarely see that kind of comedy, hahaha.

So. Um. It's a classic story of Spidey kind of being a jerk. Um. So Liz's brother is dead. For now. Maybe. Oof.

In the comments, there's also people talking about Russia's attack on Ukraine. Gerry Conway's run is really provocative, huh! I'm kind of loving it. His shaking of the status quo, not the attack.

I wonder if we'll get to see Liz's reaction :(

I'll do Giant-Size 1 later, it's currently more than 3 am. Hey, do you know what we'll get next time? A big batch... and Harry's big moment as, you know, the, the...!

Oh, you'll just have to wait!

______________________________________________________________

And here's the late addendum of Giant-Size Spider-Man #1!

I'm into that, actually!

So May's dying again (isn't she always?) and Peter needs to get her a vaccine. Ross Andru thus entertains us with a brilliant perspective shot.

Their homoeroticism never fails. Reading the summary of Marvel Team-Up 23 actually was a treat, because I finally got the answer to a years-old question of mine: did Iceman really rob a bank in the first few pages of this issue?

No, he didn't, folks!

Yes, you're getting a ton of screenshots for this part, since I know there's no more issue in this batch after this one.

Anyway, Dracula... Could you please breed me?

To me, Peter and Dracula crossing paths was like, an interplanetary event. It gave me chills. In fact, it still does and I think I should write Peter/Dracula smut now so thank you to the whole team, you've made a mess out of my brain, ARE YOU HAPPY?!? (It is 3 am.)

At least three factions are out there to find Maxfield, either to kill him (Dracula), use him for bartering (the Whisperer and Simian), and naturally Peter just wants to heal his aunt.

I remember that exact cosplay!!!! Funny what the brain remembers and doesn't. Sir, if you thirst so much, maybe I could come to your aide. You just need to ask. Okay, that's actually optional.

The Whisperer's men have a run in with Dracula and think he's Maxfield, which totally offends Dracula. As revenge, he decides to homosexualize his assailants.

Muahahaha.

The writing team then attempts to gaslight me into thinking Dracula isn't hot as fuck.

They're not doing a good job, I can tell you.

A woman is attacked by Dracula, Peter hears her, alerts the captain, who makes Dr. Maxfield come... and Simian follows them.

The fake Hawkgirl attacks one of them and is knocked unconscious. They escape with the man, Peter escapes too...

I'm all giddy!!!!!! Don't know why, but I love that "oh it's not the end yet... or rather, at all! I'm loving this romp. It's a complete joy.

In a great feat of misdirection, Simian and his men find Spider-Man... but actually, he's just a rando in a costume! That's funny and foreshadowed (given that everyone's in a costume anyway). And if I remember, this isn't the only misdirection...

The guy on the right is a fun one.

Meanwhile, Dracula is just as uncomfortable watching Babylon's first 10 minutes as I was. (It's a great movie, go watch it.)

Great mise-en-scène! The Whisperer has trapped the guy, but a bat follows... and hits Simian with its gay ray. Hurray!

Gosh, Dracula is such a girlboss. "I have been harassed--attacked--INSULTED..." Iconic.

Dracula eventually escapes, convinced that he just threw Maxfield overboard... but Spidey caught fake Robin Hood!

And thus, the biggest twist arises!

What a girlboss too.

And that's how it ends. A stellar issue! Loved it.

[theic-manic]

(Helpol blog @divine-thievery)

Helluu!! Your consent post replying to that user talking about Lord Apollo was so eye-opening for me. I named myself a devotee to Lord Hermes because I felt it was the right thing to do.

I became a Hellenic Polytheist in april 2024 and he had actually been on my mind since 2020 (possibly earlier, im bad with dates and remembering) when I first saw him in lore Olympus, to my assumption it was on purpose that i took a liking to him straight away, when I asked if it were true he pleaded the fifth 😂, anyways, so that's why i named myself a devotee, so i will be apologising to Lord Hermes after sending this ask Because as you stated in the post I hadn't asked for consent.

And I would like to thank you for making that post it's really helped me. 🧡 also, I'm Australian, too 😂

Hey mate!

All good and I am glad you appreciate it, it only took me a few hours and asking both Apollo and Hermes nicely to assist.

From my observation, Hermes is certainly a great choice for beginners as he's quote friendly and doesn't quite have Apollo's BPD-coded RSD however Hermes isn't to be taken lightly either.

One notable example

He's a trickster deity and rather amoral at that because his roles simply can't be held back by traditional morals.

I'll note here that our modern morals also don't entirely align with the societal standards of the past, which is why extra care is needed with establishing boundaries and also judging their actions through a modern lense.

This is touched upon in a decent post about rape in Greek mythology

I will also add that Apollo and Hermes just ignored the concept of consent to create this Olympus-level Maury Povich paternity test eposode event of conceiving twins together to the same woman...

Personally, Hermes became my patron deity after appearing to me as other deities... since he does participate in so many domains it's real easy for him to perform jobs for other gods.

However I had, for about a year, lightly worshipped him and included him in my daily prayers so after a while he revealed to me that it had been him all along and not Hekate and Hades those times I thought they were working with me.

While I am glad that you enjoy his portrayal in Lore Olympus (though he especially likes his visual appearances in the Hades games) the webcomic doesn't totally align with mythology...

Admittedly, I've not read much of the comic yet since I am trying to focus on more traditional portrayals of my deities for now (Blood of Zeus is somewhat decent) I did find it very nice that both the author of LO and myself interpreted Melinoe to be deaf/non-verbal (based on some comic panels I came across on tumblr featuring her anyway).

That said, Melinoe was thought to be conceived by Zeus disguised as Hades, something I assume isn't covered in the comic(?)

I'm particularly mindful to consume minimal to no fictional content about deities when I first become acquainted with their energies as I don't want my interpretation of their character to taint how I perceive them.

Even then I only consume such media as devotional acts to deities I already have a firm relationship with, but I do see modern adaptations as a way to gauge whether I'm interested in researching the original lore in-depth.

Should you decide to become a devotee of Hermes then please remember to establish firm boundaries and I hope that you represent Hermes well as one of his many "smol ambassadors" (his term).

Thanks for the ask!

I wish you luck on your spiritual journey and may Hermes guide you to the right path.

[roseverdict]

ooPS I ACCIDENTALLY TOOK THAT ONE CRACK AU IDEA WHERE KAI IS EVERY INHUMAN THING THE OTHER NINJA WIND UP AS AT ONCE AND I MADE IT ANGST

join me and cry. also no beta i just cranked this nightmare sequence out over the course of the day lol

unrelated but i write in a notes app that doesn't allow bolding or italicing so i just do markup so i know what to do later and copypasting right into tumblr automatically formatted it??? fuckin wild man

~

"We just have to give him time. I dunno how I would feel if I was told I was a robot." "You mean a nindroid." "…yeah, whatever."

Kai and Jay, S1E7, Tick Tock

After the day he'd had, Kai was ready for a nice, restful night of sleep to take him the moment his head hit the pillow.

So, of course, the moment he collapsed into bed is the moment alarms go off, making him lurch forward and nearly fall off the bed.

Kai stumbles to his feet and flails blindly ahead of himself, managing to catch his balance by leaning on Zane.

Zane chuckles and lets him stay there a moment to regain his bearings. "This never gets any easier, does it?"

Kai blinks blearily at him "Whuh?"

"I said, 'Still feeling the taste of video game defeat?'" Zane calls over the blaring of the alarms.

"Maybe a little," Kai huffs good-naturedly. "Come on, let's go catch up to the others."

Zane nods, and the two of them rush out of the bunkroom to do exactly that.

Almost before Kai knows it, the monastery gives way to a snowy forest. He's lost track of the others, but he follows tracks left in the snow for what feels like forever-!

He's inside a tree.

It doesn't look like the inside of a tree. He doesn't know if he even saw the outside before entering, but in some part of his mind, he knows that this tiny little lab-shed is in a tree.

The eerie familiarity of the place gives him the creeps.

Kai wants to turn around and leave, maybe he can wait for the others to get here before investigating-

His hands move without his consent, one uncovering a blue sheet of paper with silvery designs on it, the other leaning heavily on a scepter of some kind.

His own face stares blankly up at him from the page.

As if in a trance, something in Kai's chest opens and there are switches and wires and golden snow that grows faster than he can leap back in shock and his insides feel like they're full to bursting with dark ice and he's about to EXPLODE-

Kai reels back in surprise from-

-the Fangpyre skeleton laid out in the bridge of the Bounty.

This is a completely natural order of events, save for the fact that his finger feels somewhat sore.

Kai shrugs and heads out. There's been Serpentine activity spotted at Megamonster Amusement Park lately, after all, and if that's not something for the Ninja, then he doesn't know what is.

He runs across Jay on his way out and snorts. "Who are you looking to impress, buddy? The snakes?"

"The Sea," says Jay.

Kai cleans out his ear. "What was that?"

"Hey, let a guy finish!" Jay snaps lightheartedly. "It's Nya, if you must know."

Kai knows he can trust Jay with his sister, no matter what happens, on some implicit level he can barely understand. Instead of saying this outright, however, he just smiles. "Break a leg, buddy."

Jay nods and scurries off, and Kai turns to follow when he notices a sickly-green tinge to his skin.

"What?"

He hurries to a mirror to find scales growing in over his skin, and even jutting out oddly from the panels in his chest and arm.

Even as he watches, however, the scales ripple and spread outward, soon turning as blue as the sky. His hair bleaches white, and as he grabs his toothbrush to pull back his lips- are those fangs?!- his reflection scowls at him.

"Hey, dummy!"

Kai yelps as his own words (when, when did he say this?!) are turned back onto him with more venom than he'd thought he was capable of.

"Yeah, I'm talking to you," snarls his reflection. "Would you get your head on straight and start doing your job?"

"My…my job?" breathes Kai.

(wrong wrong wrong something is very wrong)

"You know, protecting your family?" his double drawls. "That thing you claim is the reason you became a ninja in the first place? The fate of the world kinda rests on it!"

Kai shakes his head- he doesn't know what is going on here but he doesn't like it- and bolts outside, ignoring his double's enraged protests.

(Something tells him that if he stayed behind, he'd just get a fist to the face for his trouble.)

He's at the amusement park in a flash, a stupid little electric-blue tail poking out under his gi no matter how much he adjusts it. Eventually he gives up and glances around the deserted park for any sign of movement.

"Hey, Kai! Over here!" Cole calls, waving him over to the haunted house attraction.

Kai is quick to run over. "You find anything?"

"I think so. I saw something purple run in here," Cole explains. "I'd bet you money that it's Pythor looking for that scroll Master Wu told us about."

Kai nods. "You call the others. I'm getting a head start."

Neither of them state the obvious fact that he can't still be inside at sunup, or else.

"Got it," says Cole.

As Kai rushes inside, he swears he can hear Cole say something like, "It's so easy to be forgotten."

However, he's already inside, and the doors slam shut behind him before he can ask.

Nervously, he sneaks through the endless sprawling halls in search of the snake he's chasing. The entire place is dead as the grave, and it's just as quiet.

Then Kai finds the room.

There is no Pythor here, nor is there any scroll, but the moment he steps inside, it is as though the world around him solidifies.

Ironically enough, it feels as though the old man's ghost in the middle of the room is the source of the solidity.

"How did you get here, child?" asks the ghost shortly.

"The front door," answers Kai. He frowns. "You're not Pythor."

The old man lifts an eyebrow, stroking his pitch-dark beard. "Oh? I highly doubt thoughts of Pythor, of all people, would lead your consciousness to my little corner of reality. Not since you ninja fixed up this place and returned it to its status as a tourist attraction for me, anyway."

None of the old man's words make any sense.

"Ah, I see the illusion still has you," the old man says, as if he's piecing something together. "I suppose I will leave you to it, then. However, if anything follows you to the waking world, let it be this: A sword sharpened too often soon wears away into nothing. Just as a blade requires cleaning to retain its shine, so, too, does a warrior require time to reflect."

"What's that even supposed to mean?" demands Kai.

"If you remember after this, you will know," instructs the old man. "Now leave me. Your illusion has not yet run its course, and you are running low on time."

"You keep saying illusion-?" Kai tries.

"It's not really an illusion, but to say its name would mean cutting it off abruptly, and your mind is not yet finished," the man huffs impatiently. "Now leave me!"

There's a power in the words that had been missing the first time, and Kai is flung from the oddly-solid room and into nothingness.

The amusement park is completely gone at this point, leaving only a swirling mass of undead greens that rise up and blow past Kai without slowing his fall.

He crash-lands face-first on some kind of wood paneling, and he peels himself up and off it just in time to leap away from a spray of water.

Kai can't afford to be touched by water anymore.

There's a creaking sound as the ramshackle village around him is warped and twisted, and Kai barely has the presence of mind to leap to a miraculously-untouched portion of wooden deck.

Before him stands the Preeminent.

Behind the Preeminent stands a titan made of stone.

Off to the side, a sea serpent he knows implicitly to be Wojira races closer.

Lloyd and Nya are hidden away in one of the untouched alcoves nearby, and they frantically gesture him closer.

"You'll never be enough!" says Lloyd worriedly.

"How much more can you endure?!" adds Nya, reaching out her hand as if begging him to take it.

Kai tries to run to them, only for a rock crackling with purple energy to come crashing down, sending all three of them plummeting into the sea.

Kai feels like he should have poofed out of being the moment the water touched him, but instead, he finds himself adrift in the endless sea.

Emperor Garmadon's voice slithers into his ears as if the man is right behind him. "You're no ninja. You're barely even a half-rate elemental. How you could have ever thought you could be fit for the title of the Green Ninja is beyond me. Look at yourself. Can you even recognize your own face?"

Kai shakes his head furiously. So what if he has-

-mechanical wiring that's being shorted out from this much time underwater?

-cold blood that's only getting colder, a mind that's only getting drowsier, the longer he stays down here?

-a ghost's inability to touch water, all the while being surrounded by it?

-the weight of a prophecy dragging him down beneath the waves, lower and lower and lower-?

Wait.

Some part of Kai's mind sluggishly rebels, screaming at the top of its tiny lungs that nothing about this situation is real.

When Kai opens his mouth to shoot back a snarky comment at Emperor Garmadon, however, the sea just rushes inside of him, overtaking his every cell, his every breath-

The endless sea shoots into him-

-and rejects him.

Smoke bubbles out from the panels in his body, the scales sprouted along his arms are flung away with his fake skin as the water tears him to shreds from the inside out, agonizingly, viciously, the green light of the Preeminent grows and grows above the surface until it's all he can see-!

Kai opens his mouth and SCREAMS-!

-and then his alarm went off, and the nightmare was pushed back with each round of beeps.

Kai snapped awake, his skin clammy, his breathing loud, and his heart threatening to beat right out of his chest.

It took him a second, but he eventually sighed and slouched forward, burying his head in his hands.

It was coming up on the one-year anniversary of Kalmaar's attack on Ninjago City and Nya's subsequent sacrifice.

"It should have been me," said Kai brokenly, thinking about everything his siblings had given up and none of it at once.

Were he at the monastery, someone would be there for him to talk to.

But he wasn't. He wasn't at the monastery, and he hadn't been for months. He was in his room at his little dojo.

"It should have been me," Kai moaned, pulling his knees up and digging them into his suspiciously-wet eyes.

Were he at the monastery, he'd worry that someone could see him break down.

But he wasn't.

He wasn't, because Nya never could be again, and he felt a lot like the protagonist in that one dystopia series Nya had gotten into back when they both lived at the smithy. After everything the main character had gone through, her sister, the whole reason she'd done any of it, was just gone.

Nya was gone.

After all of them spent years flirting with death, the only friend he'd known since childhood was gone.

His voice was thick, but he couldn't bring himself to care. Not anymore.

"Why couldn't it have been me?"

[celestial-ringleader]

I’m not done ranting about ToM, I just finished reading the damn thing and holy shit I’m fuming.

1) It says Pietro is supposed to be there, but he’s not shown AT ALL in the entire issue, not even in background shots. There was one (1) panel I saw where he might be there, but that doesn’t change the fact that he’s listed as one of the main characters. Honestly what the fuck is marvel’s problem with Pietro at this point?? JP got more attention and even then he was only there for like a page or two and then promptly shoved into the background.

2) AND SPEAKING OF MARVEL’S PROBLEM WITH PIETRO WHAT THE FUCK IS THIS SUPPOSED TO MEAN??

“You sound just like my brother” FUCK OFF WITH THAT. ACTUALLY FUCK OFF WITH THAT WILLIAMS. There is countless evidence out there that Pietro loves and cares for his sister, he would never talk down to her like that. If you ignore the shit writing he’s been getting over the past few years, he’s not this controlling asshole who would tell his sister that she deserves to have people be afraid of her. Even as shit as HoM was, all he wanted was for her to be able to live her life and not be killed by their supposed friends.

And to drive this home, PIETRO WAS NEVER EVER AFRAID OF WANDA. NEVER.

3) Continuing off this picture, why in the actual fuck are Tommy and Billy treating Wanda this way? Williams either forgot about Children’s Crusade or just didn’t bother reading it in the first place bc she would’ve known that this is OOC for both of the Minimoffs. And what happened to Tommy in the last few issues of this damn event, first he was calling her “mommy” and now he’s like “this is why everyone’s afraid of you”??? What the fuck happened?? Was it the plant people???

4) The title of this comic even is Trial of Magneto, he featured heavily on covers leading up to and into this event. Why is he not the focal point anymore? Why did this become a comic dedicated to bashing Wanda for shit that happened in 2015 again? And why is there no fucking trial? We were promised magnet family shit and we got this instead, no one has truly confronted Erik, the Maximoffs barely got any good panels, and the one time we saw Pietro being spiteful was in the first issue and then he was written out of it. Also Lorna barely got any good moments either despite her taking up a lot of the first book. How do you fuck up a good angst opportunity this fucking bad, Leah Williams?

5) Wanda looks too much like her white-washed MCU counterpart here and I fucking hate it. And I blame w*ndav*sion for it entirely. Not only did we get her back with Vision for some reason, but now we’re left wondering wtf happened with her and Jericho. And now she looks like MCU Wanda and I hate it so much. Bring back her curly hair and dark skin for the love of god, she’s a Romani woman and always has been.

6) Also turning a Romani woman into a boogeyman scape goat. Great. My favorite. That’s totally not racist on top of the other ableist shit here, but whatever. (I’m being sarcastic)

To sum up my thoughts, this event started out interesting but it’s very clear no one in the writers room had any idea what to do with it and instead decided to bring back HoM drama and throw in some random kaiju into the mix and hope fans would eat it up. And no, no one’s happy about this shit. Also to anyone who’s saying that the two panels of Remy and Rogue were good enough to make up for the comic, actually get some standards please. That’s two panels surrounded by a mess, I’m not gonna thank Williams for scraps if it’s surrounded by bullshit.

This comic was a mess and I hope that when it ends it’s promptly forgotten. Also I hope Williams never touches any of the Magnet family again.

[stillness-in-green]

No, Re-Destro Is Not Destro’s Literal Son

and

Yes, I Will Die On This Hill

I have a number of small, persistent quibbles with some of the widespread misapprehensions I see included in BNHA fanfic, quoted as fact in meta posts, even cited on the wiki. Quirk cancellation restraints, what the 20% quirklessness data point means in practice, when Kurogiri comes into existence relative to the time of the Shimura Family Massacre, things like that. My biggest one, though, is as the title suggests: the idea that Yotsubashi Rikiya is Yotsubashi Chikara’s son.

I don’t entirely know where this confusion comes from. As far as I can tell, the early scanlations didn’t get it wrong—one rendered the line in Chapter 218 about Destro having a child he didn’t know about as being children, plural, but otherwise, they were all accurate enough. It seems people just assumed that the child mentioned in 218 must be Re-Destro, who was, after all, right there on the panel. Even though the scanlations never said it, even though the official translation never said it, even though ample evidence in the manga disproves it, the idea still got around that Rikiya is Chikara’s son.

I have and will maintain that this is obviously wrong if you stop to think about it for even a moment, but unfortunately, most people don’t. The error can be found on less well-tended parts of the fandom wiki[1]; it’s in tumblr meta posts about the villains; it’s in fanfic.

And now, god help me, it is on the official anime website, too.

“Stillness-in-green, maybe you should consider that you might just be wro—”

I will face BONES and walk backwards into hell.

But if you want, you can come with me, and I’ll explain on the way. Hit the jump.

Dialogue + Narration

There are two places where the relationship between Chikara and Rikiya is explicitly addressed—the lead-in to the dinner scene in Chapter 218 and the fight between Clone!Shigaraki and RD in Chapter 232. If you include the Ultra Analysis databook, the number goes up to four: once each in Re-Destro and Destro Classic’s character blurbs.

Let’s take a look at each of those places, shall we?

The relevant Japanese text here is in the first narration box: 子ども, kodomo.

Kodomo is not gendered. It literally just means child. The key kanji is 子, ko. Like most kanji, it has a lot of potential readings, and you can add other kanji to it to modify it. Add 息 and you get musuko, son. Pronounce 子 as shi instead of ko, and you get a term that is frequently, though not exclusively, used to refer to boys. Add 女 to that reading and you get joshi, woman/girl. 子 is in a lot of words, many of them gendered! Used for kodomo as Hori does here, though, it does nothing to indicate a gender one way or the other.

Also too, it does nothing to indicate that Rikiya is the child in question; it simply states that there was such a child, somewhere in the world. Now, the natural assumption for anyone who knows how the graphic novel medium works and who understands basic literary analysis would be that the significant character we just met is, in fact, the child in question—except that everything else we learn about Destro and the original Meta Liberation Army here makes it entirely impossible.

I’ll do a full breakdown on why that is in the next section. In the meantime, here’s the next reference:

Here, we’re looking at the phrase the Viz translation renders as, “His blood runs through these veins.” The literal Japanese there is, Desutoro no matsuei chi o tsugu mono! In a literal translation, chi o tsugu mono means, “one who inherits the blood,” or, more loosely, “blood successor.” It’s matsuei—末裔—that’s the key word here.

Japanese has several words to express the concept of “descendant.” Matsuei is one word; the data book uses shison. So what’s the difference? Well, I’ll talk about shison in a moment, but I had an inkling of it just from looking at the kanji in matsuei—“end” and “descendant” respectively, leaving me with an impression of something like a final descendant or the terminus of the bloodline. Further research confirmed it: shison can refer to any lineal blood tie, but matsuei refers to a bloodline’s final inheritor, the person at the end of a long line of many, or even countless, generations. It’s the difference between being able to point to a grandparent and the kind of painstaking genealogical research that lets you[2] point to a famous royal from eight hundred years ago—matsuei is a word that very much assumes the existence of those countless generations.

So not only does Rikiya’s line there not imply that he’s Chikara’s son, but his specific word choice also tells us that he cannot be Chikara’s son. That’s, uh. Pretty conclusive, I would say.

Lastly, though, there’s also the data book. This is, perhaps, the actual closest you’re going to get to a manga equivalent of those character blurbs on the anime website, at least until such time as Hori deigns to give the MLA types character profile pages. (I live ever in hope.)

There are two relevant bits of text, one in Re-Destro’s entry, and the other in Destro Classic’s. The first describes how Re-Destro organizes the MLA as Desutoro no chi o tsugu mono: the same phrase he uses for himself in the manga, minus the matsuei. @codenamesazanka (the one who told me about the databook references among other citations, bless) rendered it as “Destro’s blood successor”; I have also seen it given as “the successor of Destro’s bloodline.” Note again, the lack of reference to a father/son bond.

Chikara’s entry uses that other descendant word I mentioned before, 子孫, shison. Notice that the term uses that ko kanji from kodomo before? As it does in joshi, 子 here reads shi. The other kanji, 孫, means grandchild. Thus, literally, grandchild-child—or, in the vernacular, simply descendant.

And then we have the anime website.

So, for comparison’s sake, the anime website uses 息子—the same combination of kanji that I said earlier gives you musuko, son. Heck, it even uses 父, chichi, for Destro—father. It’s as explicit as it’s possible to be, and I just don’t know why or how the anime website could fuck that up so bad when absolutely nothing in the manga describes the two Yotsubashis that way, and, indeed, one specific word choice actually rules out the possibility.

So, that’s all the manga says directly. It’s not the only evidence there is, though. In fact, the next piece makes it even more clear how colossally and impossibly wrong a father/son connection for Destro and his modern successor is.

Timeline

The long and short of this section is, “Since Harima Oji was Sako Atsuhiro’s great-great-grandfather, there is no possible way that Destro—who pre-dated Harima—can be Re-Destro’s father.” If you read that sentence and nodded your complete understanding and agreement, feel free to skip ahead to the last section. If you’d like the full explanation it takes to reach that sentence’s conclusion, though, read on.

So, aside from the word matsuei, the timeline is the most telling piece of evidence to my eye. I address it secondly rather than firstly because it’s less direct than the explicit narration; it relies on drawing conclusions based on things we’ve been told elsewhere rather than on the immediately relevant text. Oh, Mr. Compress’s relationship to Harima is explicit enough, but on what am I basing my claim that Destro predates him?

Regarding that, there’s no explicit year relative to My Hero Academia’s current events given for when Destro and the original Meta Liberation Army were active; the same is true for Harima Oji’s escapades. However, we are given some broad-strokes information, relative not to current events, but rather to the history of heroism as a legal institution in Japan.

We know that there was a widespread, lengthy period of chaos following the rise of quirks—called meta-abilities in those early years. At some point, however, people began to search for a way for meta-humans to live in peace with non-metas. The compromise that was reached was the foundation of professional heroism in Japan—while the use of meta-abilities would be legal in private settings, it was only by becoming licensed by the state as “heroes” that people could use their quirks in public.[3]

The legislation curtailing the use of meta-abilities—and the appropriation of a dead woman’s language to popularize a law establishing exactly the opposite of what she used that language to call for—is what catalyzed the rise of the original MLA. Thus, we can position Destro as being alive and active around the same time that heroism as a legal institution was being formed. Since we further know that he committed suicide in prison, we can assume that his child was conceived at some point prior to his capture. Ergo, Destro’s child, were they alive today, would be as old as Japanese professional heroism itself.

Next, consider Harima Oji, the Peerless Thief, a criminal who targeted the riches of “sham heroes.” We’re specifically told that he was active in the days in which the current system was settling into place—e.g. he only became active once the Hero System was established enough to have produced corrupt heroes. We’re told he preached reformation—he wasn’t just some pre-existing criminal who saw a shiny new target in heroes; he had specific grievances which he wanted addressed by the system, and which the system was not addressing.

The earliest Harima could possibly be active, then, is concurrent with Destro—Harima fighting against the corrupt people who had found their way into the new heroic institution, and Destro fighting against using the institution of heroism to oppress non-heroes. What I think is more likely, though, is that Harima came after Destro—Harima needed to have had time to realize what kinds of fakes had been drawn to this shiny new career path, maybe even to spend some time trying to change things the legal way.

I don’t suspect they were separated by very long—I would imagine Destro was easily within Harima’s living memory, and might well have influenced why he chose the path of protest that he did—but I do think they were separate.

Moving forward, then, Mr. Compress is four generations distant from his famous ancestor. Thus, even if you assume that Harima is of the same generation as Chikara, that’s what you’re looking at for Chikara’s child: someone who, were they alive today, would be old enough to be the great-grandparent of a thirty-two-year-old man.

Re-Destro’s probably a few years older than Mr. C, sure,[4] but that man doesn’t have Ujiko’s slow-aging quirk. Unless you want to start pulling theories about cryogenic stasis the story for some reason never saw fit to mention out of thin air, Re-Destro is in no way old enough to fit the bill.

This is backed up by one other piece of the timeline as well, and one more place we can look at language:

The small child at the center of the image is Rikiya, so young that he’s in schoolboy shorts for a meeting otherwise so formal that he’s been made to wear a tie. He’s, what, six to nine here, tops? And the adults speaking to him say that they’ve been in hiding for generations—代々, daidai, the kanji for generation followed by a kanji that just means, “See that kanji written right before me? Yeah, just read that one again.”

The original MLA was active for only a handful of years, and, per Chapter 218, they didn’t dissolve until Destro was captured. Thus, we can assume they have been in hiding since then, but not before then. With that in mind, this is another line that renders a father/son relationship impossible.

Remember, Chikara already had a child in the world circa his capture. If Rikiya were Chikara’s son, then Destro’s capture and his army’s subsequent dissolution could not have happened any farther back than nine months plus however old Rikiya was in this exact moment of his youth. Rikiya, who we see here as a child of less than ten.

Ten years in hiding doesn’t make one generation; it damn sure doesn’t make multiple ones.

Now, you could make theories about cryogenic statis that would explain this ludicrous discrepancy, sure. You could also theorize about e.g. artificial insemination,[5] or time stop quirks, or any number of other possibilities in the vast panoply the HeroAca world offers. The point is, though, that you don’t need to. There was, in the manga, no discrepancy that needed to be explained. It is only fanon misinterpretation and a glaring disinterest in the series’ villains from official sources that have presented this issue.

I’m praying that it’s all just a misunderstanding on the part of whoever maintains the website, and that the anime itself will render the relevant bits of dialogue correctly. Given the extreme cuts and alterations that My Villain Academia has been subjected to thus far, though, I’m sure you can appreciate my being concerned.

…So that’s the meat of it. The idea that Rikiya is Chikara’s son is wrong simply on the basis of what’s said in the text, and it’s doubly wrong on the basis of the timeline. There is, though, one other thing I think points towards Re-Destro being exactly the descendant he says he is, not a son playing down the connection out of humility or something. This one is a lot more headcanon-y, though, so I saved it for last.

MLA Social Dynamics

It’s quite simple. We have, in the MLA, a group of people that venerates Destro’s bloodline to an obviously unhealthy degree, putting up portraits of him wherever they can get away with it, tagging his successor with a “Re-” as if to invoke reincarnation or miraculous return, entirely willing to throw their lives away for what they think was his cause, and others’ lives if those others say anything too scathing about the words Destro wrote, quite as if they treat Destro’s memoir as some sort of holy writ.

They venerate Destro that much, and you’re trying to tell me that they wouldn’t just call a spade a spade and acknowledge RD as the son of their great leader? Come on.

Since long before I turned up the matsuei factoid in researching this piece, since long before Mr. Compress gave us such a helpful generational comparison, I’ve held the opinion that, given a group that holds their leaders in such high esteem, with such particular regard for bloodline, the only reason Rikiya does just call himself a descendant, rather than citing the specific term for what he is, is that the specific term is distant enough that it actually does sound more impressive to just say “descendant,” rather than something like, “great-great-great-grandson.” That kind of thing just begs the question, “What took you guys so long?” or, “You and how many other people, buddy?”

Mr. Compress may have the panache to carry off a line like that, but Rikiya’s a different story. If he had something so amazing up his sleeve as, “I am the son of the great Destro,” I have to think he’d just say it proudly, not fall back on the impressionistic vaguery of something like chi o tsugu mono. Even if I had no other evidence to work with, I’d think the same—all the evidence you need is right there in the character writing of who Rikiya and the MLA are and how they talk about the man whose dreams Re-Destro was raised to carry.

A closing note: I will allow that Rikiya is being overdramatic when he uses matsuei and its connotation of countless generations. There are a few other things we can use to trace the history of heroism—Ujiko’s age, and the 18-years-or-less periods that One For All was held by its pre-All Might bearers—and running those numbers leads me to believe that it is, in fact, entirely possible to count the number of generations between Rikiya and Chikara, and the number, while higher than one, is probably not all that high. Certainly matsuei is being more dramatic about it than is entirely warranted, hence the poetic flourish of the official translation’s, “His blood runs through these veins!” The theatricality only makes me fonder of him, however.

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FOOTNOTES

[1] It was changed and reverted on Re-Destro’s page at least twice before it finally stuck in January of this year. Chikara’s page took until July to be corrected, and it’s still wrong on various other subpages.

[2] Or your kids, if you have those. Only the last generation in the bloodline is the matsuei, but that’s a moving goalpost as long as the bloodline is still propagating.

[3] This summary of events combines what we know from both My Hero Academia proper and the Vigilantes spin-off, which I recommend to anyone who’s at all interested in finer-grained worldbuilding on Hero Society Japan than the main series makes time for.

[4] I personally headcanon him as 42.

[5] To which point I would refer back to the word kodomo, and note that that word choice indicates that Destro had a child in the world. Not a sperm sample kept in a freezer somewhere, waiting for the right would-be mother: an actual child. Some quick research on my part says that the farthest that term stretches is in using it to refer to yet-unborn children, fetuses still in the womb. Seeing as Japan doesn’t even allow inmates conjugal visits in real life, much less in a setting where villains are so dehumanized that Tartarus is an acceptable punishment for them, the line about Destro “having a child out in the world” takes us right back to a date of conception no later than Destro’s final night of freedom.